If you’re a writer of color, you know what I mean.
That’s right. This room was almost entirely white — except for me and, even though I’m a Latina, I look white — and there was not a single mention of race, class, diversity or inclusion the whole time.
This doesn’t mean that the editors and writers present weren’t compassionate or skilled, or that they didn’t have contributions to make. It just means that some very important things were not addressed during the panel discussion and Q&A.
Namely — how much of a difference it makes to have an editor who not only gets your writing, but gets YOU. And one thing white people consistently miss is that race and ethnicity — i.e. not being white — do make a difference in who we are and what we have to say. As writers, they give us our histories, our perspectives, and our voices, and editors can miss certain nuances in our work when they don’t share those things with us.
Now, as you already know, publishing IS so white, and it can be hard to find an editor who exactly matches you in terms of racial/ethnic profile. But the first tip I’d give for seeking out an editor is to try to find an editor of color. There’s not many of us, but we are out there.
As for the other things your editor should provide, here are five you should seek out to make your partnership the best it can be:
Face to face communication – Emails and notes are just the beginning. Telephone calls are OK. But eyeball to eyeball is best, whether you’re lucky enough to meet in person, or can jump on Skype or Zoom. Writers and editors are on the same team, and face to face conversations can make your relationship feel much more like a partnership.
Generosity – Make sure your editor cares. The editing process is intensely personal, for both the writer and the editor, and if your editor doesn’t care about your project from the start, their feedback is going to reflect their indifference and you’re not going to feel the love you need.
Egolessness – It’s not your editor’s book, it’s yours. When an editor can’t separate themselves and their opinions from YOUR work, it’s going to be a battle of wills. But, that said, an editor should be able to take a stand for the reader, and choose their battles wisely. So you want them to be generous, but also strong.
Inquisitiveness – Editors have a reputation for being didactic. But rather than constantly telling you what to do, an editor who asks the right questions can open you up to ideas and inspirations you never imagined. The ability to ask the right questions can distinguish a good editor from a great one who helps the work evolve from good to great.
A spirit of collaboration – Make sure your editor takes time to agree on a set of goals with you. What is this project about? Who are its readers? Where and how will it be published? What is this round of editing about? As simple as it may seem, getting clear on what you will accomplish, and by when, will prevent unnecessary confusion and disappointment.
If you’ve got further suggestions for what makes a great editor, add it in the comments. And if you’d like to have a conversation about an upcoming project or completed manuscript, I offer an initial 30-minute consultation, free of charge.